mohamad farhadei; Mahmood Mirza al-Hosseini; Ali Nazari
Abstract
Translation has long been considered as a way to become familiar with the customs and culture of other nations and has always had two origin-oriented and target-oriented approaches, and these two approaches each have their own advocates. Antoine Burman is one of the origin-oriented theorists of translation ...
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Translation has long been considered as a way to become familiar with the customs and culture of other nations and has always had two origin-oriented and target-oriented approaches, and these two approaches each have their own advocates. Antoine Burman is one of the origin-oriented theorists of translation science, who, in his theory of "disruptive tendencies," lists thirteen cases that cause distortion in translation including “verbosity” and “explanation.” This paper intends to critique the two cases in the Persian translation of Ansariyan from Sahifeh Sajjadiyah using the descriptive-analytical method to determine the extent of the deviations in his translation based on the theory mentioned above. Hence, first, referring to Berman''s theory, this paper proceeds to criticize and investigate the issues mentioned above and, in cases where it is required provides a suggested translation.The findings of this study indicate that the verbosity in the translation of Ansarian is presented in five general categories.: respect, collocation, Arabic and Persian synonyms, non-Arabic and Persian synonyms, and other verbosities; and explanation is presented in three axes of intertextual with the Qur''an, the mention of blessings, and other explanations that most of these disrupt the textual music and its hidden briefness.
Ali Nazari; Somayyeh Ownaq
Abstract
Farouk Gweda, the contemporary poet and journalist (1946) gathers two different schools in his poems very nicely. His elegies hold the qualities of both Romanticism and Realism. As a poet, he looks at the external world from the view point of his own internal world and visualizes human being’s ...
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Farouk Gweda, the contemporary poet and journalist (1946) gathers two different schools in his poems very nicely. His elegies hold the qualities of both Romanticism and Realism. As a poet, he looks at the external world from the view point of his own internal world and visualizes human being’s relation with the inner world, spiritualities and sentiments. In addition to this view, as a journalist he looks at the external world outside himself and its current political, social and livelihood issues and introduces human’s position in the present world. In this way, Farouk’s poems are chosen as a base for this study to find out how a poet can intermingle two different schools in his poetry.
The present paper studies Romanticism in Farouk Gweda’s poems under the themes of love, pain, dream and hope, and analyzes Realism manifest in the poet’s invitation to revolt and rise in Islamic-Arabic countries, description of nation’s situations, resistance and homeland. After studying these two schools, similar qualities common between these two, that is, use of natural phenomena, are analyzed as well.
The research method is descriptive-analytic that emphasizes on various poetical works of Farouk Gweda.
