Marzie Rabiei; Abdolali Alebooye Langerodi; Ahmad Pashazanos
Abstract
Cultural elements are the identity of a nation and can also be added to the cultural transfer of the destination if it is correctly translated. Therefore, the translator must have sufficient control over the language of the source language and the target language, while at the same time interpreting. ...
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Cultural elements are the identity of a nation and can also be added to the cultural transfer of the destination if it is correctly translated. Therefore, the translator must have sufficient control over the language of the source language and the target language, while at the same time interpreting. The present study intends to examine the equivalence of the cultural elements of the novel "Noun Valley" by Jalal Al-Ahmad based on the categorization of Sadegh Hedayat's cultural categories in the Arabic translation of Majeede Al-Annani. Since the transmission of all the semantic layers of a word from one language to another is difficult and cannot be precisely determined for each of the cultural elements of the language in the target language, the explanation of the concept of each term commensurate with the semantic realm and cultural theme requires an independent solution to equivalence Is. Hence, the Newark guidelines are the basis of this research. The findings of this research, which have been deductively inductively, and its important examples have been chosen as the content of the article, suggests that in translating cultural material elements, the interpreter has often used the cultural equivalents and descriptive equivalents that can be derived from the cultural-cultural coherence of the source and the destination. In the translation of the spiritual elements of the translator, in addition to the cultural mean, the functional equivalent and the descriptive equivalent of the compilation method are used and explains the interpretation of the desired category.
