Seyed Esmaeel Hosseini Ajdad Niaki; Shahram Delshad
Abstract
The free flaunt of translator’s language and applying rewriting elements is one of the most important reasons for the emergence of authorship translation approach in Persian literature and classic Arabic. In this approach, just like free and communicative method, translators avoid equal, ...
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The free flaunt of translator’s language and applying rewriting elements is one of the most important reasons for the emergence of authorship translation approach in Persian literature and classic Arabic. In this approach, just like free and communicative method, translators avoid equal, equivalent, and parrot-like translation which is mostly inexpressive and incomprehensible. Rewriting approach was widely used in old Persian translation from Arabic because of not regarding rules and scientific standards of translation and idealistic goals. And relaying on rewriting issue and its mechanisms the translator would deal with lots of changes in translated texts compared to the originial without considering custody. The present research tries to study the concept and rewriting aspects in four episodes of Bal’ami’s history (the killing of Siavash, the making of Kavous’s Palace, Kavous’s ascending to heaven, abandoning sovereignity by Kay Khosrow) considering André Lefevere’s rewriting discussion in order to achieve aspects and functions of rewriting approach in Bal’ami’s translation. The results indicate one of the reasons of Bal’ami’s translation durability, which is known as the translator not the writer, is due to the successive aspects of rewriting concept. And the translator has created a rather different work than Tabari’s by using techniques uncluding adaptation, structural adjustments, delete and compression, and sometimes verbiage.
fatemeh sarparast; Abdolali Alebooye Langeroodi; Mohsen Seifi
Abstract
Mohammed al-Foraati (1880-1978), translator and poet Syrian translated a selection of Hafiz's lyrics into poetry. Despite his familiarity with Persian language, he has not been successful in understanding, receiving, and transmitting the long-standing mystical concepts of hafezshirazi. Therefore, this ...
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Mohammed al-Foraati (1880-1978), translator and poet Syrian translated a selection of Hafiz's lyrics into poetry. Despite his familiarity with Persian language, he has not been successful in understanding, receiving, and transmitting the long-standing mystical concepts of hafezshirazi. Therefore, this essay attempts to investigate and evaluate the semantic comprehension of the terms, vocabulary, and mystical expressions contained in Hafez's poetry by Mohammad al-Foratti, in order to clarify to the audience whether the translator has beautifully transmitted the semantic content of the poet's words to the audience. However, in most cases of rotation, the inevitable changes and increments in his reproduction are observed, which not only did not create an insult to the poetic words of the poet, but also added to the beauty of the translator's words, and the audience to this important It turns out that the presentation of a complete translation equilibrium to the order of work is quite difficult and inevitable It is.
