Translation in Arabic language and literature
Alireza Arabameri; Fereshteh Afzali
Abstract
The model of critical analysis of translation, which redefines translation based on the concept of "filtering", is fundamentally based on Halliday's theory of Systemic Functional Linguistics (1978), and filters a communicative event linguistically, culturally, and ideologically. In particular, whenever ...
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The model of critical analysis of translation, which redefines translation based on the concept of "filtering", is fundamentally based on Halliday's theory of Systemic Functional Linguistics (1978), and filters a communicative event linguistically, culturally, and ideologically. In particular, whenever a translator feels the need to apply cultural filtering, it can be expected that the result of his/her work will be relatively inclined towards acceptable translation. The present study descriptively-analytically seeks to evaluate the application of cultural filter in Salim Abdul Amir Hamdan's Arabic translation of Houshang Golshiri’s Prince Ehtejab and Lidded Mirrors, which is full of idiomatic expressions, and to indicate to what extent the use of cultural filtering by the translator of these two works fit with the structural features in the target system. Therefore, we divided the approaches employed by the translator of these two novels into 4 parts: Negative approach (omission of idiomatic expression) 2- Application of cultural filtering using the "equivalence-finding" approach 3- Application of cultural filtering using "equivalencing" approach 4- Literal translation of the term of source in the target language. The findings of this study show that the translator implements almost the same cultural context in the target system. Furthermore, among the approaches used, cultural equivalence-finding (59.2%) has the highest frequency, and omission (2.3%) has the lowest frequency.
