Translation in Arabic language and literature
Narges Khosravi Savadjani; Roghayeh Rostampour Maleki
Abstract
The stanza form of the contemporary poem doesn't have any predetermined format and it is the poet who designs its written structure based on his intended meanings. In Umberto Eco's cultural semiotics, images and forms can be studied in the form of "stylization" and "invention". The present article having ...
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The stanza form of the contemporary poem doesn't have any predetermined format and it is the poet who designs its written structure based on his intended meanings. In Umberto Eco's cultural semiotics, images and forms can be studied in the form of "stylization" and "invention". The present article having a descriptive-analytical approach and relying on the semiotic opinions of Umberto Eco, has examined the reflection of contemporary Arabic poetry in Persian translation. The research data were chosen from the collection of Al-Ketab: Past Place Now (2018), which is translated by Amir Hossein Allahyari from Al-Ketab: Ams Al-Makan Alaan Adonis. The writing form and format chosen by Adonis to write the poems in the Al-ketab contains many meanings and has served the meanings of the poetic text. The results of the study indicate that Adonis started innovating and styling by writing Al-ketab in manuscript format and using norm deviation in the written form. In many cases, Allahyari has not succeeded in conveying these two ways of sign production to the target text. Sometimes, he has produced innovations and stylistics in the target text that were not used in the original poem in order to better convey the content of the poem.
