Javad Gharjami
Abstract
We will be encountered with a bewildering variety of literary signs in a poetic text. Action-oriented relations between mentioned signs in poem sitting-together axes and poem substitution leads to the fluidity of these signs and their different implicative functions. This is a factor which contributes ...
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We will be encountered with a bewildering variety of literary signs in a poetic text. Action-oriented relations between mentioned signs in poem sitting-together axes and poem substitution leads to the fluidity of these signs and their different implicative functions. This is a factor which contributes to poetic language prominence and leads to literariness of the poetic text. Considering the special function of literary signs and their fluid nature in the formulation of poetic texts causes a complexity and difficulty in translating of these kinds of texts. This research criticizes the role and position of translation, in reflecting the fluidity of literary signs in the target language. In the meanwhile, the translations of Aghany Mahyar Aldamshqy's poems by Kazem Barg Neisi will be examined. Finally, the researcher considers the translation of Kazem Barg Neisi as a successful one in the realm of literary translation. The translator's success is because he has a full knowledge of his poet style and poetic language. By adopting this strategy and having a full knowledge of the poet style, the translator has chosen suitable equivalences and has conserved the fluidity of the text in a way that the reader of this work, by juxtaposing of the source text and the target one can reach the same effect as the readers of the source text do.
