Hassan Goodarzi Lemraski; Mostafa Kamajgoo
Volume 2, Issue 5 , December 2012, , Pages 100-83
Abstract
Parnas which equals "al-fannlil-fann" or "al-barnasiyah" in Arabic and "art for art" in Persian, is a literary criticism school of thought and the borderline between romanticism and symbolism which has, unlike romanticism, neither compromised the poem for personal feelings and adopts it as a tool for ...
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Parnas which equals "al-fannlil-fann" or "al-barnasiyah" in Arabic and "art for art" in Persian, is a literary criticism school of thought and the borderline between romanticism and symbolism which has, unlike romanticism, neither compromised the poem for personal feelings and adopts it as a tool for expression of the inner perceptions and verve of the poet, nor, like symbolism, is of complexity and ambiguity, but it is based on the belief that poem is beautiful in its own capacity and it should be attached its proper value.
This research aimsto survey this school of thought in the beliefs of one of the prominent Lebanese poets, Amin Nakhlahand explain its various aspects.
In this research, the aim is to express the objectives of the poem in the views of Amin Nakhlah due to the fact that as a Parnassian poet, he aims to devote himself to the mere beauty of the poem and no other specific objectives should be sought in it.
In this essay some of his odes such as "al-bulbul","al-shallal" and "al-habib" have been examined and it has been concluded that Amin Nakhlah is a structuralist classic poet who attaches special importance to the form of words and way of expression, not to its nature.In the meantime, itrepresents the ivory tower literature which elaborates on issues such as love, bulbul (nightingale) and the like.
