Hedieh Ghasemifard; Rasol Ballavi; Naser Zare
Abstract
Domain of discourse refers to a set of norms, knowledge, customs, concepts, and ideologies accepted by the poet or writer that appear in his works. In translating the literary work, the study of the quality of representation domain of discourse in target language, in addition to crossing the linguistic ...
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Domain of discourse refers to a set of norms, knowledge, customs, concepts, and ideologies accepted by the poet or writer that appear in his works. In translating the literary work, the study of the quality of representation domain of discourse in target language, in addition to crossing the linguistic and literary boundaries, emphasizes the importance of how it is represented, as the translator's approach to the discourse elements of the source text and how it is translated into the target language requires careful attention. Khayyam Nīshāpūrī 's quatrains (526-439 AH), an Iranian well-known Persian poet, has long been the focus of translators' attention as one of the most valuable literary works. Poet and contemporary critic of the Emirate (1976), Mohammed Abdullah Nur-al-din is also a translator who has translated these quatrain into Arabic by converting format of quatrain into new poetry and incorporating new ideologies and evolving some of the poetic elements of poetry to incorporate the essence of own thoughts according to the needs and desires of the age. The present investigation seeks to study the apparent changes in the Arabic translation of Nur al-Din by studying the elements of discourse in Khayyam's quatrains using a descriptive-analytical method and from the perspective of discourse analysis, and has described and explains the method of translating these elements into the poetic elements of these quatrains. Studying the analysis of Nur al-Din's translation of Khayyam's quatrains shows that this translation as any other translation.
Marzieh Abad; Rasol Ballavi
Abstract
As one of the important elements in literary critisism and analysis, motif is taken into consideration in European criticism.
Originally as a French word, motif means the main thought or the subject or the iterative words and phrases in literature. In poetry, motifs have a close and fundamental relation ...
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As one of the important elements in literary critisism and analysis, motif is taken into consideration in European criticism.
Originally as a French word, motif means the main thought or the subject or the iterative words and phrases in literature. In poetry, motifs have a close and fundamental relation with the poet's soul, thoughts and emotions.
Motifs have appeared in various forms such as themes and symbols in Yahyaal-Samawy's poetry. In his poetry, "AbuzarGhaffari"motif isone themost prominentones in the form of symbol. Being repetitive, this motif has no literal meaning but rather it stands for freedom,devotion, dedication, persistence, justice, and as a saviour to get people rid oftyrannyof the oppressor.
Having taken the analytic–descriptive method as its methodology, this paper tries to examine "AbuzarGhaffarimotif" and its signification in Yahyaal-Samawy 's poetry. In doing so, it answers the following questions: What are the important motifs used by the poet in his poetry? Why does the poet insist on using such repetitive motifs? What kinds of effects do these motifs have on the meanings? To what extent has the poet paid attention to"AbuzarGhaffari's character as a motif"? How does this motifaffect the reader? What kinds of symbols and signififation such a motif bring about?
